It sounds mad in this day and age but only a handful of people get to work with for a master. On Tuesday night at the the EDO event in London Fernando Gutiérrez talked about his time with Tibor Kalman and the legendary pictures only issue of Colors magazine. I actually heard someone behind me gasp when a few of the pages came up. It was obviously news to him in away to many of us it, and Kalman, are part of art and design folklore.
Listening to Mike Meiré talk last night at the Istituto Marangoni was both wildly entertaining and strangely down to earth. It covered (almost) everything an art director deals with. To hear someone who operates in that sphere of both client and creative say things that you and your colleagues have said or – more regrettably – should of said countless times was quite inspiring:
Just completed a fascinating two days of conferences in Brighton.
It started full of caffeine listening Susan Weinschenk’s talk on vision, hearing and the brain and did not stop being riveting.
Amazing illustration this week about the importance of the crop. The crop has seen a lot of changes over the past decade. The demands of working on multiple platforms and copy rich print pages has created a new kind of kind of frame that is often infinitely extendable. It’s a world away from Harold Evans “Pictures on a Page”. The subtleties are pretty much gone as we fit densely packed copy in and around the image that – generally – will not have been given much thought. On shoots I pretty much have explain that the crop is dead again and again.
ideas/forms/functions 